(Digital Painting, Printed on ARCHES ® Fine Art Paper, 70x100cm, 2024.)
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Price: $4200
Erupts from the unknown like a storm without warning. raw, untamed, and necessary.
This piece pulses with energy, movement breaking through shadow,
color clashing like fire against void.
It speaks to the chaos we carry inside, often hidden until it demands to be seen.
“Rage” is not just an emotion, it’s a revelation. It reminds us that even our darkest instincts are part of the journey, and only by facing them can we begin to understand what we truly are becoming.
Fine Art Paper, 50x50cm, 2025.)
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Price: $3500 * SOLD
This artwork is a talisman, not of possession, but of reverence. A quiet protector. A reminder that the sacred does not live in temples alone — it dwells where we choose to make meaning, where we choose to pause, and where we dare to believe something greater stands watch.
In Vé, we are reminded that the divine lives where we choose to be fully present.
To gaze upon Vé is to return to the center.
To stand within it, is to remember: you, too, are sacred ground.
(Mixed Media, Printed on ARCHES ® Fine Art Paper, 70x70cm, 2015.)
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Price: $8500
“My Darkest Hour” is a layered descent into the depths of the human experience, where emotion, memory, and perception intertwine in a complex, textured composition. The interplay of oil painting, photography, and digital manipulation speaks to the multifaceted nature of reality — how we see ourselves, how we are seen, and how our experiences shape us.
The use of oil paint brings raw, tactile emotion, evoking the weight of the moment — the smearing, blending, and brushstrokes echoing the chaos and vulnerability that darkness can bring. Photographs introduce the element of memory, fragmented and shifting, as if the past is breaking through the surface, demanding to be acknowledged. Digital painting, with its fluid and ethereal qualities, adds an element of the subconscious, the unseen forces that shape our inner world.
The title itself, “My Darkest Hour,” suggests a confrontation with despair, transformation, or reckoning. Darkness in this context is not just the absence of light but a space of profound reflection — an emotional terrain where truth is laid bare. The layering of media mirrors the way pain, identity, and resilience are built upon one another, never existing in isolation but rather as intertwined threads of a greater tapestry.
This piece is not only about suffering; it is about emergence. The viewer is invited to look beyond the darkness, beyond the textures and layers, and find meaning in the spaces in between. It is a meditation on survival, on the beauty that can exist even in despair, and on the way our darkest moments can shape us into something more whole, more intricate, more deeply human.
(Digital Painting, Printed on ARCHES ® Fine Art Paper, 70x70cm, 2017.)
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Price: $2900
Dreams is a passage through the unseen — a visual meditation on the ephemeral dance between memory, longing, and the infinite unknown. The flowing light suggests motion without destination, like thoughts that drift just before sleep, untethered from logic or reason.
Here, darkness does not resist the light; it embraces it — a quiet reminder that clarity often arises not from knowing, but from mystery. Each brushstroke breathes like a whisper from the subconscious, painting a space where time dissolves and the self expands.
In “Dreams”, the cosmos is not out there, but within — vast, luminous, and always becoming.
(Digital Painting, Printed on ARCHES ® Fine Art Paper, 50x70cm, 2019.)
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Price: $4900
There is a quiet agony in growth, one that escapes the eye but not the soul. In the artwork Growing Pain, we witness this paradox embodied — a form both fluid and grounded, spiralling upward like a tree caught mid-breath, half-rooted in earth, half-reaching for fire. Its shape is not quite linear, nor chaotic — a gentle swirl that resists symmetry, as if sculpted by unseen tensions. It evokes not only the image of a tree but also the feeling of becoming something more than what one is.
This is the beginning of all growth: a state of stillness before the rupture. But growth does not remain serene. it encounters warmth until it culminates in a crown of flames. This transition is not decorative, but revelatory. It speaks of struggle, of inner friction, of transformation that burns.
Fire, in this context, is not destruction but culmination. It is the pain that tempers raw matter into spirit. The top is not the end, but the ignition of selfhood.
The artwork suggests that pain is not merely endured, but woven into the very architecture of development. Each curve, each tonal shift, is an echo of life’s essential demand: change. To grow is to twist, to bend, to survive the ache of expansion. The swirls in the structure remind us that growth is not linear, not always up or forward.
Sometimes it is spiraled, recursive, appearing to turn back before leaping ahead.
Growing Pain becomes visual philosophy — a silent acknowledgment that beauty is born not in the absence of pain, but through it. in this fire-lit swirl, we find ourselves: rooted, trembling, and radiant.
(Digital Painting, Printed on ARCHES ® Fine Art Paper, 70x70cm, 2022.)
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Price: $2900
“Enlightened” is an exploration of revelation, a visual manifestation of awakening where light and perception intertwine. it embodies the process of becoming aware, of stepping beyond obscurity into clarity.
The artwork’s structure, whether abstract or figurative, suggests a transition, a
threshold between the known and the infinite. Light, whether soft or piercing, does not exist as a passive element but as an active force, carving its way through the composition, revealing forms, dissolving boundaries. Shadows linger, not as absence, but as echoes of what once was, reminders of the journey toward understanding.
The tonal choices reinforce the nature of enlightenment:
Warm hues may suggest spiritual awakening, while cooler tones may evoke intellectual clarity.
The depth of the composition invites introspection, where is the source of light?
Is it external, descending upon the subject, or does it emanate from within, unfolding like a quiet realization?
“Enlightened” does not present a final destination but an ongoing experience.
To be enlightened is not to possess all knowledge, but to step into a space where perception is expanded,
where the unseen becomes visible, and where light, in all its forms, continues to guide the way forward.
(Digital composition & Painting, Printed on ARCHES ® Fine Art Paper, 100x100cm, 2021.)
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Price: $3900
“Beyond the Stars” is a visual meditation on the space between what we know and what lies just outside our reach — the silent threshold between reality and the infinite unknown.
The spheres seem suspended in a quiet void, partially lit, partially hidden, like celestial bodies caught in a moment of cosmic introspection. The texture evokes a sense of time eroding, as if stardust and silence are gently wearing down the veil between dimensions. There’s a haunting stillness here, yet also a gravitational pull
— an invitation to look deeper, not outward, but inward.
This work is less about arrival and more about the yearning itself. It speaks to the quiet questions we carry when the night is still: Who are we beyond form, beyond time, beyond the stars?
What truths hide in the shadows we rarely dare to enter?
“Beyond the Stars” doesn’t offer answers — it offers space.
Space to feel small, to wonder freely, and to trust that even in the most silent places,
something sacred is unfolding.
(Digital Painting, Printed on ARCHES ® Fine Art Paper, 50x50cm, 2024.)
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Price: $2900
“Gates” stands as a threshold between what is and what might be. Against a void of black, bold orange strokes rise like pillars of light, barriers or invitations, depending on how you see them.
The piece suggests transition, a moment suspended before stepping into the unknown. It embodies the tension between fear and curiosity, between staying and becoming.
“Gates” is a symbol for that we are always arriving,
always choosing whether to walk through or turn back.
It is in these moments of crossing that transformation begins.
(Photography, Printed on ARCHES ® Fine Art Paper, 70x70cm, 2022.)
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Price: $3900
“Inferno” is a descent into the abyss of the human psyche. It is a reminder that we all carry within us the capacity for darkness, and that true redemption lies in confronting and overcoming our inner demons.
The echo of energy in motion, a study of chaos captured mid-breath. time bends and the flame becomes a gesture — a swirl of heat and memory, as though the fire itself remembers where it’s been.
This piece explores destruction not as an end, but as a force of transformation. The flame spins, stretches, and distorts, no longer tethered to reality, but dancing on the edge of abstraction. In this blur, we find intensity without violence and motion without direction.
“Inferno” invites us to consider how often we are caught in our own inner fires. those
moments where passion, anger, creation, and collapse become indistinguishable.
The work doesn’t contain the fire — it lets it speak.
Here, the blaze becomes a metaphor for the soul in flux: wild, raw and beautiful.
A force both to be feared and revered.
(Mixed Media, Printed on ARCHES ® Fine Art Paper, 70x100cm, 2025.)
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Price: $3900
“Into the Blue” is an introspective journey into the unknown, where color, form, and energy intertwine to evoke both serenity and turbulence. The dominance of blue hues envelops the composition, symbolising vastness—whether the sky above or the depths below. Blue is the color of contemplation, of emotional and spiritual immersion, of longing and surrender.
Amid this ocean of blue, fire emerges — a paradox of warmth within the cool abyss. Fire signifies transformation, destruction, and passion, flickering like a beacon of inner conflict or illumination. It disrupts the tranquility yet coexists with it, mirroring the contradictions within the human psyche: the push and pull between stillness and chaos, introspection and impulse.
The diffuse face-like figure, barely discernible, presents only its eyes—windows into a hidden soul. This obscurity invites the viewer to question identity, presence, and perception. Who is watching? Is it a reflection of the self, an entity lost in the blue, or a guardian of the unseen? The lack of definition in the face suggests dissolution, as if the self is merging with its surroundings, dissolving into the infinite.
“Into the Blue” is not merely a composition; it is an invitation. It calls upon the viewer to step beyond the tangible, to drift into the deep recesses of thought, memory, and existence itself. It is about the beauty of the unknown, the allure of mystery, and the quiet intensity of being lost yet fully present.
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Price: $3900
“Spine” is a quiet confrontation with structure. both the visible and the invisible. soft motion weaves through, echoing the curvature of the silent strength of a backbone. It feels like memory etched in light, fragile yet enduring.
“Spine” represents the inner framework we often overlook. The emotional and spiritual architecture that holds us upright as we move through uncertainty. Even in darkness, a thread of strength.
It explores the quiet rhythm beneath movement. A flow of form that feels both human and distant, like a memory surfacing through fog. Soft grey and black tones stretch and twist, creating a sense of internal structure without defining it. There’s a tension between motion and stillness, between what is seen and what is sensed.
This piece reflects the subtle frameworks that guide us. Unspoken, unseen, yet deeply felt,
as we move through the shapeless parts of our journey.
(Digital Painting, Printed on ARCHES ® Fine Art Paper, 70x70cm, 2015.)
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Price: $2900
“Talisman” is a visual meditation on the delicate balance between the terrestrial and the celestial, the fleeting and the eternal. At its heart lies a leaf-like form, an emblem of life, impermanence, and organic wisdom. Rendered in earthy browns, it speaks of roots, decay, and rebirth, carrying the quiet language of nature’s cycles.
The leaf, like a relic, stands as a talisman, an object imbued with meaning, protection or transformation.
Contrasting this grounded symbol is the vast expanse of a starry cosmos, stretching
infinitely behind it.
The stars suggest the immensity of existence, the unfathomable depth of time, and the mystery of what lies beyond the grasp of perception. Here, the artwork draws an intimate connection: the smallest fragment of nature and the grandest celestial body are part of the same great whole.
The juxtaposition of these elements invites reflection. Does the leaf drift through space as a relic of a forgotten world, or does it anchor itself as a bridge between what is known and what is infinite? Perhaps it represents the human experience — our fragile existence
suspended between the earth beneath our feet and the endless unknown above.
“Talisman” asks us to consider what we carry with us — both tangible and spiritual.
Is it a reminder of where we come from? A key to unlocking something greater? Or simply a
fragment of beauty, floating in the vast, silent universe?
It is an artefact of contemplation, a symbol of both transience and connection in a cosmos that watches, breathes, and remembers.
(Photography & Digital Composing, Printed on ARCHES ®
Fine Art Paper, 100x100cm, 2021.)
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Price: $2900
Two spheres emerge from a wall of weathered silence — one pale and ghostlike, the other darker, more rooted in the weight of memory. Together, they suspend in a space that is neither future nor past, but something in between. This is “Edge” — a meditation on liminality, on the spaces where transformation simmers, unseen.
The background is not just a surface. It is a history: cracked, worn, and quieted by time. Like skin that has endured both exposure and concealment, it holds the quiet narrative of erosion and endurance. And against it,
the orbs hover — not resting, not rising, but waiting. Waiting, perhaps, to become.
At first glance, the composition is balanced. But look closer: it resists symmetry. These twin spheres are not reflections — they are echoes. One appears untouched, shrouded in mist and birth. The other burns with a subterranean presence — the stain of experience, of having known something.
A memory, maybe. A loss. A truth.
Here on the edge, we see not action, but potential. This is the moment before movement. Before choice. It is the liminal space between what has been shaped and what is still shaping. The edge is sacred because it is unstable — and in that instability lies creation.
In a world that rushes toward resolution, “Edge” asks you to pause at the threshold. To witness that becoming is not linear. To understand that presence is an act of courage, and stillness is not emptiness, but preparation.
We live most of our lives here — at the edge.
Between knowing and not knowing.
Between before and after.
Between what we hold, and what we must release.
“Edge” does not give answers. It simply holds the question.
And perhaps that is the most sacred space of all.
(Digital Painting, Printed on ARCHES ® Fine Art Paper, 100x100cm, 2021.)
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Price: $2900
At first glance, the artwork appears as a tangle — dark channels coursing through a pale void. But linger longer, and you begin to feel its rhythm. This is Flows: a visual meditation on life’s currents, both visible and veiled.
These winding lines are not random. They are pathways. Rivers. Neural maps. Ancestral veins. The threads that stitch moments together in silence, without ever asking for recognition. Each line bends and loops, guided by some internal logic — intuitive, ancient, unspoken.
There is no single center here. No fixed point. Instead, there is a sense of perpetual movement — a choreography of convergence and divergence, echoing how we experience time, thought, and transformation.
“Flows” is not about reaching a destination. It is about honouring the way.
In nature, nothing moves in a straight line. Water carves, roots wander, and wind drifts. We are not separate from this intelligence — we are made of it. The same hidden flows that shape rivers shape us.
Our ideas, our emotions, our lineage.
They twist, split, return.
To contemplate “Flows” is to remember that chaos is often just a pattern too complex to understand at first glance. That connection doesn’t always look like symmetry. That presence is not always still — sometimes, it pulses.
And there is something deeply human in this. The way our lives curve around each other, shaping and being shaped, never truly separate. There is no beginning and no end in “Flows” — only a constant becoming.
This piece asks nothing of you but attention. It carries the wisdom of movement and the mystery of structure without command. It holds space for your own inner rivers, your own meandering paths.
Let it remind you: not all things must be straight to be true.
Not all direction needs a map.
The flow knows.
(Digital Painting, Printed on ARCHES ® Fine Art Paper, 100x100cm, 2025.)
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Price: $2900
“Future” is not a place you arrive. It is something you enter through frequency, through feeling.
This piece does not depict a timeline. It transmits one.
Electric, kinetic, unapologetic — “Future” pulses with the energy of what has not yet taken form. It’s a storm of potential. Neon veins of magenta and cyan tearing through the void like prophecy mid-birth.
There’s movement here, yes, but not movement that obeys logic. This is intuition in full velocity.
This is vision without the burden of explanation.
Look closer. The layers do not just overlap — they collide. The brushstrokes are not gentle; they are declarations. And yet, beneath the boldness, there is fluidity. An aquatic softness that says, even the future must flow.
Even light must bend.
We are so often taught to fear the future, to control it, to predict it and to prepare against it. But “Future”, as seen here, does not ask to be understood. It asks to be trusted. There is no clear horizon in this image,
no linearity — and that is its truth.
The future is a current, not a destination. It will not be grasped, only joined.
This artwork is a mirror for your readiness. The energy you bring to it is what it returns: urgency, hope, uncertainty, power. It’s a portrait of becoming, not just for the world — but for you.
And perhaps that’s what makes “Future” spiritual:
It reminds us that what lies ahead is not written in stone — it’s written in energy.
In movement. In vision.
Let this piece stand as a portal. A signal. A permission slip to imagine boldly, act intuitively,
and walk into the unknown with color at your back.
(Digital Painting, Printed on ARCHES ® Fine Art Paper, 70x70cm, 2025.)
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Price: $3900
“Jungle” is a visceral meditation on the raw, untamed dimensions of the human psyche — a place where instinct, memory, and spirit blur into a verdant chaos. Swirling strokes of green and black evoke dense undergrowth, not only of nature but of thought itself , where clarity must be carved out of confusion, and light flickers like rare sunbeams through thick canopy.
This piece speaks to the subconscious terrain we navigate daily — the wilds within us that resist order, logic, or domestication. At once luminous and shadowed, “Jungle” challenges the viewer to embrace the vitality of uncertainty. The suggestion of motion within the strokes mirrors the mind’s restless search for meaning, while glimmers of warmth, golds and ambers punctuate the darkness like moments of revelation.
Created through a blend of digital painting, photographic texture, and painterly gesture, “Jungle” exists between the real and the imagined, the physical and the emotional. It invites the viewer not to decipher it, but to feel it.
To become lost in its thicket of lines and emerge with their own truth.
This is not a jungle to be conquered. It is one to be witnessed, respected, and perhaps, understood. As a metaphor for the fertile, chaotic ground from which identity and transformation arise.
Jocke Larsson Fine Art 